The Gansey Initiative September 30, 2008
Posted by Sheila in Inspiration, Knitting.add a comment
Today I decided to use Word as my blog editor. I was tired of typing lofty thoughts (ha!) into a teeny tiny window and then trying to edit them into impressive writing (ha ha!) and simultaneously see the pictures that prove to the human race what a magnificent fiber artiste I am (ha ha HA!).
I was astonished to see how easy it is. This discovery may turn out to be a very bad thing, because it probably means that blog posts will be more frequent and wordy. On the other hand, I being the indolent photographer that I am, the quantity of photos I post will still lag exponentially behind the number of words.
At any rate, the subject of this entry is purported to be the idea of a gansey I intend to create out of Shetland 2000 and thin air.
Once upon a time within the last week, I was drinking Breathe Deep Tea and browsing Ravelry absentmindedly, looking at pictures of other knitters’ renditions of Irish Moss, punctuating the process with recurrent coughs. I found one absolutely stunning example done in Shetland 2000 on 2.5mm needles (size 1.5 US). I have written this knitter to request permission to display her lovely work here on Material Thoughts (maybe to get a photo despite my own laziness?) and hope that she agrees.
{Irene graciously gave permission… so here is the picture:}
The stitch definition astounds me, for this is a two-ply yarn. Normally, the more plies a yarn has, the better texture it will show. 5-ply gansey yarn, for example, is the norm for knitting traditional ganseys. Other aran designs, such as the Irish Moss that I am knitting now, call for 3-ply Shetland worsted or Aran yarns. But rarely do I see textured designs that specify a 2-ply. I was and am amazed.
I marched my mouse over to Yarns International, the only place in the US one may acquire this beautiful yarn, and found that the price will increase on October 1. Breaking my long yarn fast, I ordered twenty skeins in Shetland White.
Meanwhile, I consulted my extremely organized and well-thought-out knitting library for books that would give me words to combine with thin air to conjure up a sweater. Except for the extremely organized and well-thought-out part, my knitting library is exactly as described, and I eventually found my three-volume set of Lisa Fanderl’s Baulerches Stricken and also Oma’s
Strickgeheimnisse, tomes I knew were destined to one day figure prominently in world-famous designs by moi. (Did I mention I was delirious from cough medicine?).
I am slowly forming ideas for this sweater. I’m thinking of using one of the fantastic clock designs from these books (stocking clock, not tick-tock clock) to shape the arm and sleeve gussets, and using a frightening number of different cable and texture patterns vertically in the lower two-thirds of the body. The yoke is yet a blank canvas in my mind… the very mind that is befuddled with the German language in which my reference books are written.
One thing at a time.
Irish Moss grows more slowly than other varieties September 30, 2008
Posted by Sheila in Events, Irish Moss, Knitting.add a comment
Knitting has happened. I rotate through Irish Moss, Rose of England and the giant Christmas stocking depending on whim, ability to focus, or state of health. Irish Moss will never grow quickly because of all those infernal twisted stitches, but then again that’s what makes it such a pretty design.
My thoughts recently dwelled on the point that if you’re going to make something by hand it might as well be something that machines can’t do, because if a machine can do the same thing, what is the point of making it by hand other than your own foolheadedness? Twisted stitches, as far as I know, can’t be manipulated on knitting machines. Ergo, any design that uses them must be handknit. Am I wrong? I am no expert, that’s just what I think.
We had a full weekend what with a dinner cruise party for work on Friday night and a concert to attend last night. You might think it glamorous to take a three-hour cruise around Elliott Bay to eat dinner and take in the view, but I’ve been on so many of them I groan when I hear someone delightedly telling me that we “get” to do it! This time, however, was worse than those before. The ship was quite small, and despite calm seas it would not stop rocking. My oncoming flu symptoms were not helped by this, and it took meaningful effort to keep my stomach contents inside while maintaining polite conversation. I kept thinking of Gilligan and his ill-fated three-hour cruise, and thought that he probably never went on another one in his life, post-rescue.
I was amused by a co-worker’s wife who looked directly at my guy and asked him how long he had worked for [the company I work for]. It is so unusual these days and particularly in this area for women to assume that the man is the one in the high-tech job that I was momentarily stunned. Her husband immediately corrected her and I know she was embarrassed. She couldn’t know that I have great admiration for the traditional lifestyles of those who choose to live them (and who have the freedom to do so).
The concert last night was at the Tractor Tavern in Ballard, a place thankfully firmly planted on terra firma, where we went to hear one of our favorite folk singers, Richard Shindell. Great lyrics, rich voice; hard to get tired of him. We’ll be going back in November to see Lucy Kaplansky and Kelly Jo Phelps.
All this activity made it impossible to fight off the flu bug; I’m beginning to plan my own funeral just in case I don’t pull through.
A Letter From Harry September 24, 2008
Posted by Sheila in Uncategorized.add a comment
For the record, yes, I DO know that I am knitting the world’s largest Christmas stocking. I comfort myself with the thought that I can felt it and it will be stronger and even more beautiful. But at the current 24″ circumference, it looks like a sock for a tree trunk.
Imagine my surprise last night when I saw, dangling from a spun thread from the ceiling, a spider (not Harry) who seemed to point to a paper on the floor. I picked it up and this is what I read:
Hmph. Unraveling, indeed. Everybody know’s it’s just “raveling”.
The Rain of Time September 20, 2008
Posted by Sheila in Uncategorized.add a comment
The rain is here. We knew it would come; it always does. Right now it is comforting and close, making this a cozy and lazy Saturday in September. Come December I’ll be wondering, once again, why I choose to live here in the Pacific NorthWet. Sometimes I really miss big luscious flakes of snow, crisp frost lying heavy on the ground like sea salt, and broad expanses of unmarked white twinkling like diamonds under the morning sun.
We just finished reading Cold Mountain, aloud, again. Harry was listening to most of it, but he missed the very end. I like to think he packed his web and headed to the Blue Ridge mountains. The book is southern writing at its finest; it always brings alive my Tennessee ancestors and makes me long to hear their particular grammar and to return to a simpler, albeit more difficult, time. The scarcity of tomatoes this year brings to mind the fat juicy abundance of them in my grandmother’s long-ago kitchen, waiting to be canned into soups along with a plethora of other fresh goodness. The can house filled from top to bottom with jams, jellies, soups, vegetables. The root cellar holding turnips and onions. The freezers filled with pork and beef and lard; smoked and salted hams hanging in the barbecue shed. The chicken coops filled with clucking hens and crowing roosters; sows and hogs wallowing in the bottomland.
I don’t think that my grandmother ever read a book in her entire life. She was too busy. She read the newspaper and the Bible, and that was enough for her.
But as for the novel Cold Mountain, I cherish it. It makes me sincerely grateful that in spite of all this country has been through, even to brother against brother, life goes on. We have gotten too far removed from having to provide for ourselves in a direct manner. Instead of tilling the earth and harvesting crops, we go to the local QFC and buy substandard flavorless victuals. Instead of having two or three working outfits and one Sunday dress, we buy an overflowing closet full of Chinese-manurfactured garments and worry that we aren’t fashionable. Instead of going to visit our neighbors we turn on the computer and beg for attention from total strangers. Perhaps I oversimplify.
I saw a boy on the university campus yesterday riding a skateboard, his shirt sloppy and open, his pants about to fall off, his boxers nearly showing fully. I think about my Daddy’s adherence to cleanliness and making sure that wherever he went his pants were nicely pressed and there were no holes or stains in his clothing. His shirt was tucked in and to be without a belt would be to be half-naked. To his generation and many before them, the financial means to wear presentable clothing was rare, and he would never shame his family, poor as they were, by not presenting himself in the best light possible.
This is in stark contrast to many young people of the present and past two or three generations, who consider it the height of fashion to appear as if they can’t afford to look better, who don’t give a thought to whether or not their parents would be shamed by their appearance or behaviour. I think of it as (naively) disrespectful to all those people who worked so hard to make life better for their children and grandchildren. It used to be that the sincerest wish of parents was that their children would have a better life than theirs. I think this has changed somewhat, though many parents do continue to wish this. But some– perhaps many– now merely wish that their children will have as good a life as their own. And I think I see a reversal in children, too; I see children who believe they are entitled to a life as good as their parents; who don’t understand that you do not get this kind of life as a privilege but that you have to put in the time and energy to make it happen.
I don’t know how I got to here when I just started out talking about rain. Maybe a little moisture in the air goes to my head.
To bring myself back to a material thought, I will say that keeping in touch with the direct creation of quilts, sweaters, clothes and blankets helps a little to keep me mindful of my ancestors and the many many hours they toiled to make my life better. They were always so proud of me for doing well in school, for graduating from high school, for going to college. They never knew how proud I am of them.
In Memoriam September 18, 2008
Posted by Sheila in Uncategorized.2 comments
It is with great sadness that I report the strange demise of Harry the Spider. His fate is unknown; I went into the living room this morning to say hello and he was not there. He and his web were completely and utterly gone. Not even a shread of a spidey thread remained to testify to his having lived there at all!
Griefstricken, I ponder the possibilities.
Was he in a federal witness protection program, and by posting about him in my last blog entry I jeopardized his secret identity?
Was he convinced by a beautiful Widow to move into her web and leave us behind?
Did a Bad Person come along and sweep him, web and all, into oblivion?
Or did a cat or dog, while sleepwalking and hungry, munch on spider sandwiches in the wee hours of the morning?
My heart is broken. There is no body to bury; we can only have a small memorial service to honor his life and work. Poor, poor Harry.
No Idle Hands, Harry September 18, 2008
Posted by Sheila in Eli's Christmas Stocking, Gingerbread House Ornament, Knitting, Needlepoint, Rose of England.add a comment
[note: pictures added]
Having woven samples for the table runners and chosen my favorite, I am saving the weaving of them for the perfect weaving day.
In the meantime, I have not been idle. I have nearly completed a gingerbread cottage needlepoint ornament (embellished with beads)*, started the Rose of England tablecloth using size 60 cordonnet**, and endeavored to find the perfect Christmas stocking*** so that when I go to Feral Knitters I will have some knitting legitimacy (though not one person was actually knitting fair isle last week!).
I have also adopted a spider, whose name is Harry, even though he isn’t. He has spun a beautiful web between the ceiling and the top of my Ott lite, and I occasionally see him wrapping up a large fly for dinner. This pleases me, for the flies that come in are invariably noisy and I silently pray for them to land in Harry’s dinner plate. You might call it a symbiotic relationship, mine and Harry’s. Besides, you’ve got to respect a fellow weaver.
*The needlepoint was purchased at Threadneedle Street in Issaquah about a month ago when I was working on a Microsoft assignment. This shop is also where I purchased three Valerie LeJeune books*** which are awesome to say the least.
**Once upon a time I had a goodly portion of the Rose of England knit in size 30 crochet thread, but the color of it was a variegation of pastels and I decided that despite the time squandered, I didn’t really like the effect.
***I have chosen Meg Swanson’s Eli’s Christmas Stocking but will substitute some of the motifs with ones from Valerie LeJeune’s Répertoire des Frises . Plus, mine won’t say “Eli” on it. Maybe it will say “Bah Humbug” or “Merely Christmas” or “Happy Mallidays”.
Done Done September 8, 2008
Posted by Sheila in Finished Items, Impressionist Rug, Weaving.6 comments
I pursued carpal tunnel syndrome by first raveling all of the headers I had woven, then using the lengths of warp remaining to braid an edge, and then taking pairs of ends, overtwisting them in one direction and then twisting them with their next door neighbor in the other direction. It took a very long time.
Here’s the edge:
And here’s the completed rug in its new environment.
The Web Begins September 3, 2008
Posted by Sheila in Starburst Runners, Weaving.2 comments
The steps leading up to actually weaving are many and varied. If you are a knitter thinking about embarking on the ship that leads to weaving, you should consider whether or not you might get seasick before you have reached your destination. This is an incomplete checklist:
- plan your project
- calculate materials (this means MATH)
- buy materials
- put a measuring string on the reel or warping board as a guide
- wind the warp (hours)
- wind a counting thread throughout the warping process to keep track of ends wound
- secure the warp at several places with ties
- take the warp off the board or reel by making a chain of the whole thing
- put lease sticks on either side of the cross
- tie the lease sticks together
- find the center of the reed and determine where the edge of the warp will be
- presley the reed (an hour or so)
- put all presleyed ends around a temporary stick
- correct errors
- get inside the loom
- remove any treadle or lamm ties and secure any hanging harnesses out of the way
- step outside the loom
- measure off sections of warp that will lie between each warp cord
- attach the warp and temporary stick to the back beam apron bar
- adjust the warp cords to be sure they are the proper length apart
- adjust all the warp threads so that they lie flat and in order on the apron bar
- check the sheds
- correct errors
- transfer the cross to the back of the reed
- use a partner or a clever mechanism to put tension on the front of the warp
- wind the warp onto the back beam (an hour or so)
- place warp sticks in strategic locations around the warp as you wind it
- get hand stuck in beater move the reed out of the beater to get the last few feet
- tie the back lease stick to the back bar
- cut the warp loops and take out the reed
- tie the loose warp ends into bow knots at intervals
- separate the warp ends into logical threading groups
- retie the warp ends in their logical threading groups
- double-check warp counts and adjust for errors
- find harness bars for the number of harnesses required for the design
- make sure enough heddles are on each set of harness bars
- tie strings across harness bars to secure heddles
- tie cords to lower harness bar for use later in tying up lamms
- hang appropriate number of harnesses from countermarch beam using harness holder
- put harness pins through all harnesses at bottom and top.
- put locking pins into countermarch lamms
- put loom bench inside loom
- adjust height of harnesses to be appropriate for threading
- adjust height of bench to be appropriate for threading
- get inside the loom by ducking under harnesses and coming up on top of bench; sit on bench
- thread the heddles one group at a time (hours or days)
- tie threaded warp end in bowknot
- check for errors
- hang reed in a harness from the counterbalance beam so that it is directly in front of heddles
- remove bench from inside loom
- stand inside loom
- measure to be sure reed is centered, adjust until centered
- measure from center of reed to determine starting point for sleying
- sley reed one group of threads at a time (hours)
- check for errors
- crawl out of the loom
- put reed back into beater
- measure to be sure reed is centered, adjust until centered
- if necessary, release back beam to pull off enough warp to tie onto front beam.
- tie warp onto front apron bar one tie for every 1/2″ or so segment
- adjust tension
- adjust tension again
- adjust tension again
- put a final tie on each knot
- thread a cord through the end of the warp to bring all ends even.
- check shed
- correct errors
- adjust height of harnesses so that threads go through the center of the heddle eyes
- tie harnesses to countermarch lamms
- attach short lamms equal to the quantity of harnesses
- attach long lamms equal to the quantity of harnesses
- crawl under the loom and sit on the back of the treadles facing front
- connect lower harness bars to upper lamms
- connect countermarch lamms to lower lamms
- tie each upper lamm to each treadle for each shaft that needs to sink
- tie each lower lamm to each treadle for each shaft that needs to rise
- check to make sure you have 64 treadle ties (for 8 harnesses) or 100 (for 10)
- crawl out of loom
- remove harness holders
- remove countermarch pins
- check harness height; adjust if necessary
- check sheds, crawl under the loom and adjust tieup if necessary
- adjust height of bench
- throw three picks of yarn without beating, in alternate sheds
- beat
- NOW YOU CAN START WEAVING!
After having survived the stormy seas, you arrive at the eminently fulfilling reward of a beautiful web (I’m sampling wefts right now, the first one is purple, the second is white (click for bigger picture):
Here you can see the sley marks where I sleyed two in some dents but only one in others. These marks will wash out when the web is wet finished and becomes actual cloth.
Amputation Averted September 1, 2008
Posted by Sheila in Uncategorized.3 comments
In 1985 Katy Lee Harbin of D’Lo Mississippi lost two fingers of her left hand when she inadvertently caught it in an automatic chicken feeder. When an attorney from Jackson visited her to encourage a lawsuit against the manufacturer of the equipment, she sent him flying, “It warn’t nothin’ but my own damn stupidity” she told him.
I was thinking of Katy Lee a couple of days ago as I stood at my loom with my left hand inexplicably pinned within the top and bottom bars of its massive beater.
It all started innocently enough. I had successfully wound most of my warp onto the back beam and was at the point where I needed to remove the pre-sleyed reed from the beater so that I could wind on a few more inches. I had added extra weight to the ends of the warp by sliding an iron rod through them. The rod was now up against the side of the reed.
The upper beater bar is very heavy– a good thing in a loom because it packs the weft down nicely. However, it only slides at two points, on either end of a 59″ expanse. The chances of being able to slide it up evenly are very slim. I was grateful, therefore, that the bar slid up fairly easily. I held it up with my right hand and pushed the reed through with my left. At that instant, the upper bar decided to come crashing down. My pinky was caught between the iron rod and the reed; the rest of my hand was between the reed and the upper beater bar.
My ladyfinger was now part of a finger sandwich encased in a handburger. I was trapped, and I could not escape. The more I tried to pull out my hand, the tighter the bar came down on top of it, crushing and squeezing. I yelled for help, getting louder by the second, thinking about poor Katy’s amputation. Sherlock came running downstairs to investigate. He eyed me speculatively and simply laid down in his bed to provide what moral support he could.
Barring human help, my only option would be to pry open the bar with some object, but I could reach no objects. I couldn’t reach the sticks on the floor, I couldn’t reach the other side of the beater to try to loosen the bar. I envisioned a life without a left hand. The One-Handed Weaver, the Sound of One Hand Knitting. I felt a kinship with the local dog Tripod with the missing leg. I wondered how long I could stand there being crushed. How soon would help come? Minutes? Hours? Help was outside painting, plugged into an iPod. It could be a very long time.
At long last I looked up, and saw the lamm rods that I put through the countermarch lamms to hold them still during warping. I pulled one out, pried open the bar, and it was over.
I can’t blame anyone. It warn’t nothin’ but my own damn fault.
Surprisingly, my hand suffered no lasting effects, but I now have heavy-duty clamps underneath the beater bar at each end so that it can not slip down.











